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"Dorian Lamotte, Master of Ceremony, French virtuoso and technical violin wizard gave direction and purpose to the performance in wonderful ways."

I Love Chile (Chile)

 

 

"... How one relates to the closely miked sound and the prevalence, in Lamotte’s solo playing, of a tone that is by turns intense and diffuse (notwithstanding a sensuous and beguiling ‘Guitare’ performance) is a matter of personal taste. Overall this compilation is both fascinating and innovative. "

The Strad (United States)

 

 

"Fabrice Bihan’s cello unrolled the dark harmonic ground over which the other strings in unison streamed. The second of two melodies...was developed with exceptional intonation by leader Christophe Collette, and smoothly integrated beside the richly coloured ostinato in Dorian Lamotte’s 2nd violin and Vincent Deprecq’s viola."

Showtime Magazine (Canada)

 

 

"After a good account of Haydn (d. 1809, obligatory and rightly so in his special year) which had several passages for Vincent Deprecq and Dorian Lamotte of particular interest, the rest of their hour was devoted to French rarities; the Wigmore Hall coffeee concert audience is not easily daunted, and there was a large, very receptive crowd."

Musical Pointers (United Kingdom)

 

 

"Au-delà d’une technique solidement possédée et maîtrisée, tout l’art des instrumentistes – Christophe Collette et Dorian Lamotte au violon, Vincent Deprecq à l’alto, Fabrice Bihan au violoncelle – aura été de créer un monde, une ambiance, faites d’homogénéité, de continuité, de musicalité, mais aussi de recueillement dans un Lacrymosa ciselé avec soin, un Tuba mirum contrasté, un Sanctus frémissant de vie, le tout conclu par un Agnus Dei aux ineffables sonorités moirées". 

Anaclase (France)

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